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Acrylic dreamtime canvas with ochre and earth tones
Beadwork jewelry with turquoise and bone detail
Large scale installation with woven cedar strips
Dot painting on canvas in red and white
Laser cut steel wall sculpture with geometric patterns
Mixed media canvas with traditional symbols and digital overlay
Augmented reality projection on gallery wall
Inuit printmaking in black and red on white paper
Quillwork pattern on birch bark
Silver and gold engraved Haida jewelry
Abstract acrylic with dreamtime motifs
Woven textile in red and black geometric pattern
Laser cut steel wall sculpture with geometric patterns
Mixed media canvas with traditional symbols and digital overlay
Augmented reality projection on gallery wall
Inuit printmaking in black and red on white paper
Quillwork pattern on birch bark
Silver and gold engraved Haida jewelry
Abstract acrylic with dreamtime motifs
Woven textile in red and black geometric pattern
Contemporary Indigenous digital art print in magenta and gold
Ochre ground pigment painting on canvas
Large format acrylic on canvas in deep blue and gold
Birch bark biting traditional art form
Acrylic dreamtime canvas with ochre and earth tones
Beadwork jewelry with turquoise and bone detail
Large scale installation with woven cedar strips
Dot painting on canvas in red and white
Laser cut steel wall sculpture with geometric patterns
Mixed media canvas with traditional symbols and digital overlay
Augmented reality projection on gallery wall
Inuit printmaking in black and red on white paper
Indigenous-Owned · Identity-Verified · Artist-Led

The oldest story.
The newest form.

Ochre still wet. Projection still humming. First Nations, Inuit, Métis, and Native American artists — every wall, every commission check.

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Scroll to discover
Provenance you can stand behind

Identity Verified

Status Card · Inuit ID · MMF

340+ Artists

From 80+ Nations

Exhibition Loans

Institutional provenance

100% Artist-Owned

Every commission check

North America

First Nations · Inuit · Métis · Native American

Traditional + Digital

Ochre to AR installation

The Comparison Journey

Where the tradition
meets the form.

Every contemporary work carries its ancestor. Every ancestor lives in the contemporary work. Scroll to see how scale grows, how form breathes.

01 / Pigment → Acrylic on Raw Linen
Close-up of hand-ground ochre pigment in warm orange and red tones on stone surface
Root TraditionAnishinaabe

Hand-Ground Ochre Pigment

Red and yellow ochre ground on sandstone, mixed with animal fat and tree resin. Carried across generations in ceremony.

Large acrylic painting on raw linen with ochre and deep red geometric forms, contemporary Indigenous work
Living Form2025

Nadia Swifthawk

Acrylic on Raw Linen

Swifthawk grinds her own pigment before each canvas — the ochre is never synthetic. The linen is never primed. The land speaks first.

Anishinaabe, Treaty 3

“The pigment is the same. The intention is the same. Only the surface has changed.”

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02 / Biting → Laser-Cut Steel
Intricate birch bark biting pattern showing symmetrical floral design in white and cream tones
Root TraditionMétis / Anishinaabe

Birch Bark Biting

Folded birch bark bitten into symmetrical floral and geometric patterns by Métis and Anishinaabe artists — a practice requiring breath, precision, and memory.

Large laser-cut steel wall sculpture with floral symmetrical pattern, powder coated in deep blue-black, architectural scale
Living Form2024

Rosalie Dumont-Traverse

Laser-Cut Steel

Dumont-Traverse fed her grandmother's bitten bark patterns into CNC software. The steel carries the same breath marks — now at architectural scale.

Métis Nation of Alberta

“Her grandmother's teeth. Her grandmother's patterns. Her grandmother's steel.”

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03 / Printmaking → AR Installation + Archival Print
Traditional Inuit stonecut print showing hunting scene with seal and kayak in black and terracotta on cream paper
Root TraditionInuit, Kinngait

Inuit Printmaking

Stonecut and stencil printing from Cape Dorset — images of sea mammals, hunters, and spirits carved into stone and pressed onto Japanese tissue.

Contemporary Inuit AR installation showing translucent seal form floating in dark gallery space, projection and print combined
Living Form2025

Taqralik Padluq

AR Installation + Archival Print

Padluq's seal-float forms — inspired by traditional hunting floats — hover in gallery space via AR. Scan the print. Watch it breathe.

Nunavut, Canada

“The seal still breathes. Now it breathes in the room with you.”

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04 / Weaving → Site-Specific Textile Commission
Close-up of hand-woven Coast Salish cedar blanket showing geometric chevron pattern in natural and red-dyed cedar strips
Root TraditionCoast Salish

Coast Salish Cedar Weaving

Split cedar bark, harvested in ceremony, woven into blankets and baskets that carry clan identity, territory, and relationship to the land.

Massive site-specific textile installation in corporate atrium, woven cedar and copper wire in natural and metallic tones, 6 meters wide
Living Form2024

Jaimie Thunderbird Davis

Site-Specific Textile Commission

Davis weaves cedar, copper wire, and recycled fishing net into room-filling commissions. This piece was installed in the atrium of a Vancouver headquarters — the building's bones now carry the river's memory.

Gitxsan · Nisga'a Nation, BC

“The cedar knows the building is temporary. The weaving reminds it.”

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Commission an Artist
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No middlemen. No markups hidden in margins. The artist names their price, keeps the commission check, and owns the relationship. You get a work that has never been more authentic.

Corporate Headquarters

Statement pieces at architectural scale

Cultural Institutions

Authenticated loans for traveling exhibitions

Private Collectors

Direct artist commissions, full provenance

Commission an Artist DirectlyExplore the Collection
340+

Verified Artists

80+

Nations Represented

100%

Artist Ownership

6m×4m

Largest Commission

Large-scale Indigenous art installation in corporate atrium — room-filling woven textile commission by Jaimie Thunderbird Davis, cedar and copper wire, 6 metres wide, photographed in situ against glass curtain wall
Shown in situ · Jaimie Thunderbird Davis · 6m × 4m
Scale That Stops You Cold

Make the room
remember
who was here first.

Corporate headquarters. Museum atria. Private collections. Every Gather commission comes with full installation documentation, artist statement, and certificate of cultural authenticity — signed by the nation.

Jaimie Thunderbird Davis

Gitxsan · Nisga'a Nation, British Columbia

Cedar Weaving · Wood Sculpture · Jewelry Engraving

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